199 – The Rock & Roll Twilight Zone: Musical Mysteries with Richard Syrett

Mike Huberty • June 5, 2018

Richard Syrett didn’t start off being a weirdo, he was a radio host who stumbled onto a Sunday night talk show in Toronto whose audience shot through the roof when they broached paranormal topics (much like Art Bell and the original  Coast to Coast AM  did, and now Richard is a frequent guest host of  Coast to Coast  as well!)

But that shift proved auspicious, because Richard Syrett has been tackling the strange and unusual each week on Canadian radio with  The Conspiracy Show  and that even lead to four seasons of a television program as well on Vision TV.

A man stands in front of a sign that says ' you ' on it

Richard SyrettBut just because Richard Syrett waited some time in his profession career to start exploring the paranormal, doesn’t mean that he hasn’t felt that cold strange grip of the strange. He was close with with rock n’ roll author R. Gary Patterson who had spent decades exploring musical mysteries and the dark side of rock n’ roll pop culture. Gary was a frequent guest on The Conspiracy Show and Richard and Gary were planning to work together on their program when Gary passed away in 2017. Richard goes into detail on his own strange encounter with what might have been R. Gary Patterson’s ghost in our conversation!

Syrett’s new show is called  The Rock & Roll Twilight Zone  and you can hear it on Chris Jericho’s Podcast One network. It is a deep dive into some of Rock’s greatest mysteries and you’re bound to hear some conspiracies and strange stories that you’ve never heard before. I’ve been listening to it all week an it’s a lot of fun.

In this interview, Allison from Milwaukee Ghosts joins Richard and I in discussing some of the great topics that he’s been covering on  The Rock & Roll Twilight Zone :

  • Was Elvis murdered?
  • How Jim Morrison could have faked his own death
  • Robert Johnson’s deal with the Devil and the curse of the Crossroads

The song this week is called “Rock & Roll Heaven” but it’s not quite as hagiographic as the Righteous Brothers’ 70s’ song of the same name. While the “live fast, die young” aesthetic of the 60s and 70s rock stars certainly contributed to their mythological stature, it’s more sad than anything else. Would you sacrifice decades of your life (even if it’s the old crappy part) to amplify your legacy? Are you good enough to get into “Rock & Roll Heaven”?

When I die will I go to Rock & Roll Heaven?
Am I good, am I good enough to get into Rock & Roll Heaven?
Where the high lasts forever, all the amps go to eleven
When I die I wanna go to Rock & Roll Heaven.

Is there a chart in the skies for all your
albums that went gold?
Is that your consolation prize
because you’ll never grow old?

When I die (when I die) will I go (will I go) to Rock & Roll Heaven?
(to Rock & Roll Heaven)
Am I good (am I good), am I good enough (good enough) to get into Rock & Roll Heaven?
(to get into Rock & Roll Heaven)
Where the high lasts forever, the amps go to eleven
(all the amps go to eleven)
When I die (when I die) I wanna go (wanna go) to Rock & Roll Heaven.

Is there a chart in the skies for all your
albums that went gold?
Is that your consolation prize
because you’ll never grow old?

When I die (when I die) will I go (will I go) to Rock & Roll Heaven?
(to Rock n’ Roll Heaven)
When I die (when I die) I wanna go (wanna go) to Rock & Roll Heaven.

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